Angels, Giants, and Free Masonry
The following composition is a treatise on inherited, stolen, and destroyed masonry, with the usual suspects behind the shenanigans:
“St. Hedwig’s Cathedral, the first Roman Catholic church built in Berlin since the Reformation, was erected by the sanction of Frederick [the “Great”], who also sketched its design.”[1]
Frederick II, the Edomite, is only alleged to have conceived this cathedral, which likely predates its “construction,” much like copious structures that are now impossible to assemble but were achievable centuries ago. Examples in America include the Minnesota State Capitol and Friends University, with purported building dates from the late 1800s, before power tools, when horse-drawn wagons were the primary means of transportation. The current lifeforms inhabiting the Earth didn’t build such splendors; instead, humans found, claimed, refurbished, and repurposed them, particularly by Esau’s descendants, who occupy or maintain grandiose castles worldwide — these hooligans also erased many awe-inspiring “Old World” constructions. At least the barebones of such wonders come from another epoch, likely primordial times when everyone dwelled on a massive, undivided supercontinent, and before all life, save those aboard Noah’s ark and oceanic fauna, perished during God’s “Great Reset.”
2 Peter 3:5-6 “For this they willingly are ignorant of, that by the word of God the heavens were of old, and the earth standing out of the water and in the water: Whereby the world that then was, being overflowed with water, perished.”
The links to those YT videos are from a “Mud Flood” and “Millennial Reign” theorist, a perspective that Steven’s WordPress Blog (SWPB) doesn’t endorse, although the totality of the level-plane Earth was underwater millennia ago, concealing the lower sections of innumerable structures in muddy layers.
Wherever such buildings had their beginnings, they were present on the North American mainland before the European colonizations; those who write “our” history and mislead those outside their cult(s) have credited themselves with assembling them. History is a lie — the chronology of such architectural achievements numbers among the lies.
No indications suggest that the “primeval” world lacked sophisticated technology — giants also walked the earth back then, rendering the architecture believed “impossible” at the purported construction dates more feasible. “Old World” structures designed to withstand the elements wouldn’t vanish after submersion in water for 150 days (Gen 7:24).
One example of Edom’s destructiveness arises from the 1893 Chicago World’s Exposition, which showcased “impossible” buildings — many of them palaces — that resembled classical Rome, with incredible workmanship and all reportedly constructed in fewer than two years.
After the fairs, the insufferable devils demolished the majority of these structures, which conceivably had stood for millennia. Edom only brings deception, destruction, thievery, murder, and other negatives — Scripture doesn’t characterize them as the “sons of wickedness” and the tribe whom “the Lord hates forever” (Mal 1:4; Psa 89:22) without reason.
A small portion of the Columbian fairgrounds, honoring Christopher Columbus, the Edomite, which the liars razed briefly thereafter. These spectacles originate from another era, such as the antediluvian period — not crummy Esaurian hoaxers and destroyers.
This visual comes from the St. Louis World’s Fair (1904) — the narrative is another falsity: pseudo-architects propped up a multitude of structures in roughly three years and subsequently dismantled or demolished them, for the buildings consisted of “temporary” materials meant for a one-time event. The entryways could accommodate abnormally sized hominids because brilliant giants/Nephilim or celestial angels constructed them before any future modifications by the diminutive humans who uncovered their existence.
Esau spent their time modifying, spray-painting, and refurbishing many of these edifices, not constructing them — several stood long before the expositions, which the Esaurian miscreants obliterated. Further confusing the matter, various installments throughout these “Greco-Roman” stylized fairs were contemporary; moreover, buildings considered impermanent withstood the devastation, such as the Museum of Science and Industry in Chicago. The assertion: authentic Old World buildings, now destroyed, stood amongst the non-permanent erections, supported by bountiful evidence.
Allegedly, this particular building was only one of two built to last in Chicago, yet the likelihood of constructing it for a “temporary” occasion from expensive and long-lasting materials was slim; two firm constructions cast uncertainty on the “quick fix” perishable facades in 18 months story, as these art museums couldn’t undergo construction in that duration, if at all, as long-standing edifices, nor could the “momentary” megalithic ones.
“Greetings from Chicago!
Referring to the horticultural building 21:18 … The patina of age shown covering the entire limestone entrance from top to bottom takes ages to achieve, and is never applied as a decorative touch to this degree.
I know first hand that pressure washing and even muriatic acid does little to clean away this surface. Media blasting with dry ice is effective, but was unavailable at the time! Look at the flat area where the word HORTICULTURE is displayed. It’s pretty clean as if the word was added. The overhang just above is loaded with patina!”[2]
The patina pictured in this photograph demonstrates that the “Horticulture Building,” as renamed, existed before the alleged construction dates. It wouldn’t be astonishing if every significant building from the 1893 event pre-existed, as this patina-ridden entryway confirms three stood before the 1890s, and the Devil concocted a tale that’s dumber-than-rocks for the gullible ― the hoodwinkers either executed a sloppy spray-paint job, or the patina resisted it.
The interior is phenomenal and not intended for a single event ― anyone accepting the “temporary” structure claim for this edifice is a liar.
The ivy-infested illustrations of the interior and the outdoor patina reveal that no “construction” transpired on this edifice from 1891 to 1893; a complex “discovered” a few miles away ― the University of Chicago ― has a similar “problem”:
John D. Rockefeller, another Edomite, “founded” UChicago with this ivy-covering characteristic; it didn’t go from a fresh construction to a full-blown ivy-draped “mess” within 2-3 decades. The bottom portions have “windows” ― or whatever they functioned as ― embedded underground due to an apocalyptic event.
The complex had no modern-day “designers,” only fibbers taking credit for another civilization’s imposing accomplishment.
Additional masonry alongside the archway of the Horticultural Building ― observe the 10-12 foot cactus, which takes some cacti a century to reach. Cactuses are among the most challenging transplantables ― notably the greater varieties ― making it unlikely that the event organizers transplanted them unless the cacti were “temporary.” In addition to fleeting waterways and bridges, these geniuses installed “temporary” panes into all palace windows and many roofs, including this astronomical greenhouse.
“Staff looks like masonry but needs little ground preparation. Manpowered cranes, etc.
Let’s be aware of temporary show buildings for a fairground.
…
Yeah but I’ve been in many of these buildings trust me they are magnificent and would be impossible to build in that time.
…
If you’ve ever been to the Museum of Science and Industry or the Art Institute those two structures alone are colossal. The craftsmanship in both of those buildings are exquisite. They claim all of this was built in 18 months. This is also not accounting for give or take 3-6 months of halted development due to the harsh Chicago winters. They were importing entire buildings from foreign countries like Norway. Imagine the logistics of planning that in a time with no telephone.”[3]
Those leftover Chicagoan fair buildings didn’t appear within 18 months throughout two winters ― many palaces were “free masonry” and included in Jacob’s inheritance, which their malevolent Edomite “brothers” desolated.
Choral Hall, another “momentary” building, made from wood, stucco, hemp, plaster of Paris, straw, chicken wire, jute matting, and perhaps a touch of cow manure ― these wizards even crafted an extravagant interior for this “inexpensive” throwaway:
The architects of the 1893 World’s Fair were simultaneously busy designing the University of Chicago, an Old World complex they “founded” but never designed nor built.
An indoor view of a St. Louis palace, constructed from scratch in 1901-1904, with the “builders” not contributing much:
The date on the assumed stonework shows 1903; conversely, another section displays 1803, indicating a possible prior restoration time. Settlers “founded” St. Louis circa 1764, which became a “legally” incorporated town in 1809. Of course, everybody realizes the masonry isn’t natural but molded plastic fastened with top-notch superglue. Sarcasm aside, giants or giant-sized celestials fashioned this edifice; hence, the ceiling towers above the tiny “workers” in an oversized environment.
The non-numerical encirclements in this photograph highlight the triangular and segmental pediments, representing a classical “Greco-Roman” architectural stylization. Although other styles are prominent, old structures with these features scattered about often suggest antediluvian origins, such as witnessed in landmarks like Petra, Jordan, and Baalbek, Lebanon:
Fervent heat melted sections of the stone in Petra and Baalbek, indicating that these locations experienced at least one prior catastrophe.
Psalm 46:6 “The heathen raged, the kingdoms were moved: he uttered his voice, the earth melted.”
Nahum 1:5 “The mountains quake at him, and the hills melt, and the earth is burned at his presence, yea, the world, and all that dwell therein.”
2 Peter 3:12 “Looking for and hasting unto the coming of the day of God, wherein the heavens being on fire shall be dissolved, and the elements shall melt with fervent heat?”
Amos 9:13 “… all the hills shall melt.”
The archaeological cities of Baalbek and Petra are pre-flood creations ― neither Nabaeteen Edomites nor Romans constructed the impossibilities there.
The innards of the Palace of Machinery before the flooring came about. No foundations are evident at this stage, and detailed construction doesn’t occur while walking in grime ― the debris appeared after the building’s completion because of earth-wide flooding (Gen 7:10-12); the person carrying the bucket is conducting a cleanup project for an upcoming wood floor installation. “Tartarian” disinformation agents utilize the 1803 dating as “undeniable” proof that devastating mudfloods dirtied the insides of this abode in the early 1800s; however, this structure’s “finders” assigned these dates to the building when the dirt was already there. The earliest flooring lay underneath several feet of mud ― the workforce decided against excavating it and installing a wooden alternative, or perhaps they were unaware that it even existed beneath that soil.
The architecture inside the Palace of Machinery remained sheltered from the weather and untouched by mankind for ages, whereas Baalbek wasn’t as fortunate, suffering damage from earthquakes, wars, conflicts, plundering, and weathering.
Trees adjacent to the Palace of Transportation in St. Louis are gigantic in comparison to fairgoers, indicating they stood decades prior, or maybe longer ― trees have natural height limits, depending on the species and environmental factors. Regardless, everyone knows this palace was a modern construction of plaster, wood, and cotton candy insulation to keep its decorators warm during wintertime.
Two remnants that survived the 1904 dynamiting are the Palace of Fine Arts and Administrative Building ― the select buildings formed with enduring materials, or so they claim.
Reportedly, the “designers” completed the Administrative Building, now Brookings Hall, in 1902, less than a year into the fairgrounds development ― these deceitful SOBs “founded” a castle and acquired some “free masonry,” as with the before-mentioned Davis Administration Building at Friends University.
Unfortunately, the Machinery and Electricity Building couldn’t avoid pulverization due to its frail and short-lived materials ― the antennas shown are possibly free energy sources or lightning rods.
Dynamite isn’t necessary for eliminating temporary buildings!
Saint Louis Art Museum, formally identified as the Palace of Fine Arts. The repository already looks aged following its “construction” in the early 1900s ― perhaps the “builders” cleaned it up afterward:
Genesis 6:4-8 “There were giants in the earth in those days … mighty men … men of renown … And God saw that the wickedness of man was great in the earth … it repented the Lord that he had made man on the earth … And the Lord said, I will destroy man whom I have created from the face of the earth … But Noah found grace in the eyes of the Lord.”
The all-encompassing deluge approached, annihilating these gargantuan, mighty men.
Genesis 7:19 “And the waters prevailed exceedingly upon the earth; and all the high hills, that were under the whole heaven, were covered.”
This patina-covered statue on Easter Island, sculpted and transported by giants to its destination, possibly represents the average size of the larger specimens; the soil concealing its form arrived from sediments and mudflows that the floodwaters and additional violent upheavals ― such as Pangea’s separation ― brought, which partially buried many “Old World” structures and transformed the Pangaean landscape. Excavations and reconstructions have revealed many pre-flood buildings with lower sections below ground, complete with doorways, giving rise to the “Mud Flood” hypothesis; conversely, the flood of Genesis caused this phenomenon.
Innumerable examples exist worldwide, with streets constructed atop the dirt that partly buried such buildings. When the mud crept in, covering the old floor, inheritors frequently installed new flooring in these pre-built spectacles. Only structures where mudflows reached their location became affected — not everything succumbed to burial.
The Easter Island statues predate the flood, as evidenced by the extensive layer of dirt concealing their entirety. Easter Island wasn’t an isle in the pre-diluvian period where renowned giants lived but part of a supercontinent inside the sun’s trajectory.
The patina covering this statue would take millennia to develop ― hidden segments had fancy carvings with no weathering, confirming they were recent creations before a cataclysmic event abruptly covered them in mud.
Freemasons and other clubbers encountered structures built eons ago, credited fellow Masons for their innovation, and gained vast quantities of “free masonry” — these groups aren’t the masterful builders of the edifices they appropriated from advanced civilizations of old. America was abundant with ancient stonemasonry free for the taking well before Columbus, which Freemasons and assorted Esaurian brotherhoods took and put their dates on; the “Founding Fathers” were primarily Masons and Edomites. Instead of presenting accurate information about these structures, Esau “deceiveth the world” by promoting fictional narratives, fraudulent chronologies, and unreasonable doctrines such as a localized flood, diverting people from the truth.
Private fraternities strive to conceal the flat Earth and ice barriers encircling the inhabitable plane because those near-infinite blockades prove the universal flood without any doubt — the liquid required to produce them would only be achievable if the sea level were much higher across the whole realm at one point.
When the Creator drained the floodwaters from the water above the firmament and below the ocean floor, these icy barricades remained since the areas beyond were outside the sun’s circuit, keeping most frozen and providing an everlasting testament to the inundation that Genesis records.
A mud flood from continuous rainfall — primordial floods and the subsequent drainage triggered this in myriad regions on a grander scale, especially at lower elevations.
Giants also carved the rocky marvels in Mt. Seir, such as Al-Khazneh, and built the Vatican, similar to Al-Khazneh — both include openings and corridors suitable for giantkind. Edom and associates inhabited, modified, and conducted operations at such locations, but antediluvian goliaths — or other extraordinary entities — constructed much of what Esau found and renovated. Edomites enjoy boasting about creating things the occupants of the world that passed ages ago built.
An artist’s rendition of Al-Khazneh in Petra, Jordan, depicts miniature humanoids adjacent to the entryways, which primordial giants hewed to suit their heights. The lower left composites exhibit two jumbo sculptures from the upper “treasury” next to the entrances, matching their statures — those statues represent this marvel’s actual carvers, along with the celestials in the back, perhaps.
The Palace of Electricity in St. Louis, converted into a hospital during the Civil War (1861–1865), exhibiting the true-to-life dimensions of its earliest occupants represented by giant sculptures on the roof, mostly kneeling with one standing. No photographs of these statues surface on the Internet, only drawings on postcards, most likely because the few authorized photographers had no permission to capture photos of them.
An assortment of giant doors from throughout the world, all attached to edifices with illustrious architecture, which transcendent beings or their aberrations crafted — click to enlarge:
SWPB contends that the framework for many structures, especially those with these classic Romish/Grecian columns and obtuse triangles, has persisted since Noah’s lifetime; their discoverers repurposed them after the flood, whenever that occurred.
The Agriculture Building — another “18-monther” erected throughout two harsh Chicago winters, from cardboard and stucco, with an interior:
The colorized depiction reveals excessive quantities of patina, notably on the dome.
The angelic representations with the “Roman” architecture at the 1893 World’s Fair and Al-Khazneh depict the winged celestial variety, as commonly perceived. Both are old as dirt unless God and His angels constructed the structures of the Columbian Exposition and placed them down from heaven in recent centuries (doubtful) or by some chance, these edifices materialized within 18 months from non-permanent dog poo. The masons responsible for them comprised either fallen angels (Jud 1:6) and their giant mutant thralls or heavenly angels and the Divine ― not mortal man.
Even if the fair buildings were plaster and wood, the size, intrinsic designs, and sheer volume of structures raised at stupendous speeds are unbelievable; moreover, consider that every fairground suffered demolition or mysterious “fires,” ravaging the area shortly after. Satan’s account is full of holes and impossibilities; “the devil that deceived them” (Rev 20:10) distorts nearly everything ― accepting their account of the World’s Fairs is challenging.
Before the fairs, catastrophic “fires” also devastated nearby cities, destroying and melting brick buildings, which requires far more heat than a naturally occurring fire to achieve — energy weapons are the probable weapons employed to melt the bricks and destroy inherited architecture. The conflagrations were intentional, and the work of Edom.
Two explanations for why pre-flood buildings endured: their builders assembled them using imperishable material, or many of them consisted of exquisitely carved wood that underwent petrification during the disastrous deluge through permineralization and pressurization. Wood can petrify in a year when immersed in mineral-rich water; however, mineralization factors of the diluvial waters are unknown. In any event, the All-Powerful could provide the minerals needed to transform wood into stone to preserve spoilable structures ― instant petrification is also worth looking into.
This Swedish warship made of oak survived 121,545 days of watery submersion — 150 days of survival time for the wooden properties of antediluvian structures is nothing.
America had vastly unexplored regions, lacked known residents — except “Native Americans” in diverse areas — and had no established “history” after the flood and Pangaean division (Gen 10:25; 1Chr 1:19) until new-age pioneers arrived; therefore, the fallen world’s structures stayed chiefly untouched, preserved, and ripe for repurposing. The bulk of the splendid buildings reportedly from the 1800s that sprung up throughout North America employ the architecture of the lost primeval world or another bygone era — their inheritors reconditioned and repurposed them.
The motive driving the ongoing criminal obliteration of “Old World” structures is to demoralize, hide primordial history, uphold untrue narratives, and erase the beauty of eons past, a world forever vanished, where giants and normal-sized mortals roamed; additionally, these edifices are sometimes costly to repair and upgrade, and looters often deemed the construction materials valuable, including marble and solid gold objects; thus, greed plays a part. If the Amalekites and other greedy scoundrels had never existed, many of the unbuildable edifices they dismantled would stand today.
The original builders of these structures — utilized as fairgrounds before their demolition — made sculptures depicting a slain and decapitated giant with an arm as big as another body, suggesting a pre-diluvian timeline when giants breathed. A second influx of giants occurred after the flood (Gen 6:4), with accounts of one named Og (Jos 12:4; Deu 3:11), the famed Goliath (1Sam 17:4), and the Anakites (Deu 9:1–2); consequently, post-diluvian timelines are also viable.
Numbers 13:33 “And there we saw the giants, the sons of Anak, which come of the giants: and we were in our own sight as grasshoppers, and so we were in their sight.”
The smaller statues could represent lesser giants, as their stature varied from large to huge and even enormous. Esau positioned modernized statues, such as cowboys and Indians, at these sites; nonetheless, others showed signs of aging, including this giant-oriented one from the Panama-Pacific International Exposition of 1915, hosted in San Francisco, California.
No doubt the organizers added temporary facades to the fairgrounds, such as:
“What was the African Dip?
Many fairgoers who saw the African Dip would have known right away that it referred to a popular carnival game of the same name, a dunk tank where the contestants were white and the target was black. Sometimes the man perched over the tank would taunt the contestants into throwing more balls (and spending more money). The game was also known as Coon Dip or N****r Dip; as one slogan put it, ‘Hit the Trigger, Drop the N****r.‘ These dunking booths were just some of the many of late-19th century and early-20th century games that featured African-Americans as actual or symbolic targets, including a vicious fairground game in which contestants hurled baseballs at the heads of live targets—the African Dodger.”[11]
As willing participants, niggas received compensation, and crackas threw baseballs at them or at triggas that dropped their nig arses into water ― a Negro favorite. San Franciscans preoccupied themselves with distractions and amusements, not realizing they walked around a millennia-old city their entertainers would soon destroy.
Vandals hosted their fairs around ancient architecture slated for destruction — the quantity of destroyed “Old World” structures was severe, especially in expositions before 1915. The contemporary statues and props seen here stood amongst priceless Pangaean history:
Believing that this portion of the “Jewel City” from 1915 was plaster and wood, or any other shoddy imitation Hollywood-style movie props, is difficult — especially considering the age-old masonry in the water and the confirmed pre-standing palaces from the 1893 and 1904 fairs labeled as “temporary.”
Conspiracy theorists allege that the Tartarian Empire constructed many of this realm’s marvelous edifices and that worldwide mud floods prompted a “great reset” a couple of centuries ago — both falsehoods. The God of Jacob guaranteed never to flood the earth again (Gen 9:11), and the Bible mentions an ancient world that perished when superhuman entities wandered the mega-continent dubbed Pangaea — many “impossible” structures stood before the watery apocalypse.
Megatons of prehistoric “free masonry” survived that modern-day midgets “founded” but never constructed — the present world’s “history” is primarily an assortment of falsities from goddamned liars. The root of all evil — love for money — is the predominant source of this deceitfulness. In many situations, the sons of bitches must lie to receive grants from the illegitimate government — another reason a college “education” equates to unnecessary brainwashing that its victims must deprogram from later.
“Outrage” isn’t enough; violence must befall the ravagers and their enablers to solve the issue. Whether the earliest Penn Station was ancient, the families culpable for destroying such buildings and substituting them with garbage are villains — Edomites were the culprits, and the Almighty sentenced them to death.
Revelation 11:18 “… thy wrath is come … and shouldest destroy them which destroy the earth.”
The Lord promised His children delightful pre-built cities with all the trimmings (Deu 6:10-11); Edom maliciously destroyed much of Israel’s inheritance, leaving them desolate.
Deuteronomy 6:10-12 “And it shall be, when the Lord thy God shall have brought thee into the land which he sware unto thy fathers, to Abraham, to Isaac, and to Jacob, to give thee great [H1419] and goodly cities, which thou buildedst not, And houses full of all good things, which thou filledst not, and wells digged, which thou diggedst not, vineyards and olive trees, which thou plantedst not; when thou shalt have eaten and be full; Then beware lest thou forget the Lord, which brought thee forth out of the land of Egypt, from the house of bondage.”
H1419. gadowl gaw-dole’ or (shortened) gadol {gaw-dole’}; from 1431; great (in any sense); hence, older ….
H1431. gadal gaw-dal’ a primitive root; properly, to twist (Compare 1434), i.e. to be (causatively make) large ….
“… to give you large and fine cities that you did not build ….” – Deuteronomy 6:10, NETS
“… to give thee great and beautiful cities which thou didst not build ….” – Deuteronomy 6:10, Brenton LXX
The Devil also totaled Old World Germany during WWII through bombardments — the longer they breathe, the more defacements shall transpire.
The approved narrative is that it took six years to “construct” this outstanding structure with premium “forever” materials like granite and five years to erase after a short 53 years of service. Alternatively, colonizers found, renovated, and repurposed Penn Station, with most of the masonry standing from a previous civilization before Amalek looted and wrecked it, yet this viewpoint doesn’t apply to every “American” structure of centuries past.
Tricksters have faked numerous construction photos; pictures or drawings of scaffolding substantiate nothing. In many photographs, scaffolding appears on buildings mostly or entirely completed or in the stage of deconstruction, providing some evidence of reworking, painting, or dismantling, assuming the photos are authentic. The adversary goes to considerable lengths to deceive and conceal critical information, and with today’s high-tech tools, AI-generated fakes are expeditious and straightforward — Photoshop and manual sketches represent alternative methods for creating deceptive construction images. Photo manipulation and compositing have existed since the dawn of photography — many images preceding the computer age are falsifications. Before the digital era, bamboozlers could achieve impressive photographic alterations, removing and adding organisms and objects and altering what was already there.
Something peculiar about old construction photos for suspect buildings: oftentimes, no craftsmen are laboring, and the documentation is so inadequate that few such “photographs” arise, which often show mostly finished, totally done, or new projects with some groundwork and usually no variations in progression. Viewers may observe scaffolding, often portrayed in an illustration or an edited photo that depicts “construction.” The villains orchestrating these World’s Fairs, such as the Edomic British Crown, were rich and “powerful” — their wealth went elsewhere than construction, focusing on refurbishments, add-ons, and photo-faking.
A YouTube comment proves nothing, but:
Apparently, only certified British Crown delegates could photograph the fairgrounds to obscure their nefarious activities.
All gone thanks to worthless parasites — the “free masonry” Esau took and, in many cases, looted and destroyed wasn’t rightfully theirs. They’re good-for-nothing terrorists, thieves, and deceivers under a divine death sentence (Oba 1); a world excluding the Edomites would develop into a paradise, although they already sabotaged much of Jacob’s inheritance. Pennsylvania Station represents just a tiny fraction of what Esau wrecked or stole.
These screenshots come from a conversation about Penn Station on Reddit:
Vandalizers took nearly as much time deconstructing it as the initial “construction” phase — go figure. These parasitical robbers can introduce dates of hundreds or thousands of years to pre-built European structures, but the same doesn’t apply in America, which was reputedly a barren wilderness before Esaurian magicians engineered the “impossible” architecture that God gifted the Israelites. They simply expropriated properties by placing their grubby names on them, like Louis Henry Sullivan, who gained recognition for many pre-existing structures, including some Freemason temples, and other legendary frauds like Elijah E. Myers (Ashkenazic and English surname) and Henry Hobson Richardson (English), two pretenders The Powers That Be (TPTB) gave credit for designing structures that already existed but wanted to make “officially” and “legally” theirs, with a fabricated story on their build dates and designers, and perhaps a fake “construction” photo or two — that usually does the trick.
For those unaware, anyone with predominant English ancestry descends between 21 and 24 generations from Edward III (1327 AD), and every English monarch since 1066 AD was of Esau-Edom, AKA Amalek. Christian Identity or Israel Identity never teaches this, concentrating its energy on Jewry or non-whites while embracing Esauites left and right, presumably because they’re largely an assortment of Edomites themselves, and CI has connections to the British Israel movement, a religion meant to pass the Edomic English off as the children of Israel. British Freemasonry is one of two primary schools of the Freemason fraternity.
These eagles and clocks are likely some of Esau’s limited additions to this building.
Obadiah 1:4 “Though thou exalt thyself as the eagle, and though thou set thy nest among the stars, thence will I bring thee down, saith the Lord.”
Edom safeguarded these “precious” eagles and snagged the granite blocks and marble.
Obadiah 1:5 “If thieves came to thee, if robbers by night, (how art thou cut off!) would they not have stolen till they had enough? if the grapegatherers came to thee, would they not leave some grapes?”
Esau’s “free masonry” belonged to Israel ― the Father gave it to them.
Besides giant formidable men of renown and “fallen” angels, the possibility remains that the Creator and His supernatural angels constructed many of these “impossible” edifices, such as the Minneapolis City Hall ― the Almighty knew of their existence in the Deuteronomic period by promising Jacob’s progeny great cities they wouldn’t build. Whatever the case, the skeletons for many of these structures predate the flood, as world-ending deluges caused base levels to sink into the ground in numerous instances, although earthquakes can also trigger mudslides.
Genesis 10:25 “And unto Eber were born two sons: the name of one was Peleg [H6389]; for in his days was the earth divided [H6385]; and his brother’s name was Joktan.”
H6389. Peleg peh’-leg the same as 6388; earthquake; Peleg, a son of Shem:–Peleg.
H6385. palag paw-lag’ a primitive root; to split (literally or figuratively):–divide.
Many pre-flood buildings have pagan statues and profane aspects the Father wouldn’t design; thus, it could have been giants and their angelic masters, or a bit of both, or perhaps these ungodly attributes are an addition that came after a presumed creation by the Holy One of Israel.
Modern-day earthlings never produced that edifice in Minneapolis, for sure ― the inside comprises a marble majesty, which “thou buildest not” (Deu 6:10).
The official “construction” myth claims that from 1888 to 1891, when America was broke due to the Civil War, cowboys hauled perfectly cut 40,000-pound granite stones across a 165-mile stretch of dirt roadways via horse-drawn wagons, often during freezing temperatures, and lifted them into place to form this extraordinary city hall. These perpetual tall-tellers don’t even endeavor to make history realistic but have no need ― only a minority cares, and most humans are idiots who believe humanity dwells on a ball.
Minneapolis had gorgeous pre-existing dwellings until vandals tore them down ― the parasites financially benefited from them in some manner before destroying that which was never biblically theirs.
Minneapolis, Minnesota in old pictures (6:31)
The Festival Hall ― another “temporary” World’s Fair masterpiece, at an alleged price of $218,430 US dollars, equivalent to 7.77 million adjusted for inflation, all on a disposable exhibition to impress fairgoers, which Satan’s thugs dynamited after the event. It wouldn’t be surprising if the God of Heaven crafted such wonders and lowered them from the firmament.
Revelation 21:1-2,10-12 “And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea. And I John saw the holy city, new Jerusalem, coming down from God out of heaven … And he carried me away in the spirit to a great and high mountain, and shewed me that great city, the holy Jerusalem, descending out of heaven from God, Having the glory of God: and her light was like unto a stone most precious, even like a jasper stone, clear as crystal; And had a wall great and high, and had twelve gates, and at the gates twelve angels, and names written thereon, which are the names of the twelve tribes of the children of Israel.”
The pretended “architects” purportedly made the Festival Hall from wood and plaster of Paris, although masonry is visible on this beauty ― sculpted angels appear on the front, with some possible patina above.
It shined in the St. Louis “fairgrounds” of 1904, which stretched 2 miles, featured 75 miles of walkways, and showcased 1,500 buildings perfected in three years for one event, with electricity illuminating every street without unsightly power lines.
According to fanciful tales, major construction happened all over St. Louis during the immense 1904 fairgrounds project, producing a wide range of excellent structures at remarkable speeds ― they didn’t build squat but reused the goodly leftovers already standing.
It’s theorized that Old World buildings could generate free aetheric electricity; nowadays, Esau’s slaves must pay for it while they live freely as privileged bloodsuckers. The 1893 World’s Fair featured many grandiosely illuminated structures ― few earth-dwellers had witnessed electrical lighting before. In addition to “cheapish” and tremendously fast building techniques, organizers went through the painstaking task of wiring their assumed creations to emit pretty lights during those short construction months when electricity was still developing. Another probability is that hydroelectricity from the waters around the fairgrounds generated the electricity.
The fairgrounds of 1904 housed the St. Louis expos in the 1850s; the energized building seen here stood 50 years prior and wasn’t “temporary” — another hole in the tall tale. The number of permanent and pre-built structures in these fairgrounds will remain inscrutable, but plenty stood. Modern facades designed to appear “real” did exist, and the St. Louis World’s Fair boasted contributions from around the world displayed in this refashioned city — or at least, that’s how the story goes.
The Palace of Education predates the 1850s, as it lingered beside the Palace of Machinery with a noted “finders” or makeover date of 1803 — both stood for lengthy periods until discovered and later leveled by acquisitive, forked-tongued leeches in flesh bodies, aiming to reshape history to their liking and advantage, AKA “Satan.” 1803 might also signify the date of the Louisiana Purchase, the acquisition of the Louisiana territory by the United States from the French First Republic, which the 1904 World’s Fair in St. Louis — meant to transpire in 1903 — was in celebration of. The 1903 and 1803 dates are stucco decorative moldings, and neither are construction or founding times; nevertheless, the Machinery Palace stood well before the 1800s. Construction always begins with a foundation, which this edifice lacked — a ruinous flood buried it in dirt.
St. Louis might have been America’s most beautiful city if Edom hadn’t demolished the inherited Old World buildings in the area — Satan doesn’t want Israel to have anything goodly.
Wherever these buildings originated ― including the non-fairground structures mentioned, built to endure the test of time ― whether that be from the pre-flood supermen or the God of Jacob and His angels and hovered down from heaven to bestow lavish cities for His children, modern-day men never developed them, especially in the timeframe given; they pre-existed, and humans “founded” and renovated them. Sadly, Esau made their nest among the Israelites, formulated fallacious stories about the timelines and creators of this architecture, and later ravaged and ransacked Israel’s inheritance, replacing it with demoralizing junk.
This subject is somewhat of a “rabbit hole”; however, considering Edom conspires to deceive the world (Rev 12:9), and Scripture states the Lord would gift Jacob-Israel with grand and pre-made cities, examining the narratives is crucial. The World’s Fairs employing Romanesque architecture are the most perplexing to wade through, as many ridiculous and contradictory stories arise; furthermore, the fair planners added a plethora of additions to these landmarks, like statues and temporary structures amongst the permanent ones. Regardless of one’s opinions on the “Romish” style expositions, whether perishable facades, permanent structures, or both with perhaps some deliberate trashing of Old World architecture, the overall topic rests upon the cities that Israel inherited and Esau trashed ― the fairgrounds in this report on “free masonry” are a secondary consideration.
SWPB argues that the controllers orchestrated World’s Fairs around pre-existing architecture they wanted to raze and plunder. The cheap bastards employed a Romanesque theme for multiple expos and repurposed structures that already stood, asserting they paid to assemble them for their sumptuous fairs yet pocketed most of the fairground finances and spent little on the actual assignment; hence, a rationale for the “temporary” facade story, and the subsequent demolishments to reinforce their narrative.
This video stems from “Lucius Aurelian,” a Tartarianist spinning deceptive narratives as a substitute for the “authorized” dumb ones. Yours truly posted a comment to contradict the information in his poor analysis of Mount Rushmore, which this fellow shadow-banned, yet his fanboys could publish theirs:
This censorship happened with one or two additional “Tartar” theoreticians; accordingly, SWPB doesn’t endorse the YouTube content creators shared in “Angels, Giants, and Free Masonry.” Investigators can utilize their uploads to conceptualize the inherited structures that once existed ― or still do in some instances ― but utilize discernment, as many insert misleading bunk into the mix.
The “Tartaria” theory is disagreeable; still, explorers discovered and adapted an abundance of buildings. In America, the 1960s brought about Edom’s full-steam push to downgrade, dismantle, and demolish the beautiful cities Israel inherited ― but Esau appropriated ― and replace them with soulless crud that deteriorates more rapidly. Anyone who doesn’t hate these vile termites and cockroaches has no soul ― they’re an embodiment of “Satan” on the Earth and the villain in His Story.
Malachi 1:4 “… they shall call them, The border of wickedness, and, The people against whom the Lord hath indignation for ever.”
Chicago is now a dump in many locations, with most Old World buildings devastated by the devastators and the city plagued by racial strangers excluded from the inheritance granted to Jacob ― vandalizing with graffiti and causing crime to skyrocket are among the “benefits” they bring.
Ezekiel 35:15 “… thou didst rejoice at the inheritance of the house of Israel, because it was desolate, so will I do unto thee: thou shalt be desolate.”
Chicago, Illinois, USA in old photographs (9:28)
Esau planned and arranged the desolation of Israel’s homelands but kept various marvels they found and renovated for themselves, stealing Jacob’s inheritance.
Another motivation for the annihilation of the pre-built World’s Fair buildings in the USA was to hide the Bible’s validity. Those ostensibly pre-diluvian edifices, exhibited as fairground spectacles, match the architecture of the Greco-Roman world, and neither the Greeks nor Romans populated the North American continent; therefore, since Rome never settled in North America until recent centuries, and NA had the same mega-structures as classical Rome, a civilization besides the Roman and Grecian erected the majority of the famous structures in their territories, e.g., the pre-flood inhabitants. Americans, Greeks, and Romans similarly inherited great cities. The princely edifices of the fairgrounds mismatched the mainstream historical narrative, so knaves claimed that the “builders” constructed them with perishable materials, which accidental “fires” or demolitions removed.
How mortal shrimps quarried, carved, transported, and erected such mammoth limestone masonry of purported Roman origins from 2,000 years ago, featuring a patinated surface, is mind-boggling. Why they mega-sized such temples to cater to entities with far superior statures is equally puzzling — unless primordials were the builders.
History is a fable, and Edom isn’t the only group that formulates bogus tales; every civilization does it, some more than others. Four carvers chiseled this megalith in 1448 AD, and while Indians are very proud of it, the story is preposterous.
The Vijaya Stambha was already there ― the ruler of their kingdom fabricated some history to meet his needs.
According to Esau’s narrative, sculptors introduced the likenesses of the Edomites George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln on Mount “Concretemore” (Rushmore), which took 14 years to carve using drills, chisels, hammers, and dynamite, involved 400 workers, and is less intricate than Vijaya Stambha ― it would be impressive if Indian artisans could carve this monument in India with chisels, pickaxes, sledgehammers, and unlimited time from the colossal rocky formation that surrounded the area.
“Mount Rushmore” comprises another hoax, which Esau molded onto the mountaintop and layered with cement or synthetic stone ― they defaced the Lord’s property with Satan’s idolatrous visages, although at least their attempt at history was more believable: 400 laborers and 14 years rather than four workers and one year. Vijaya Stambha, like Al-Khazneh, stands as a genuine stone carving, though it might have undergone petrification.
Exodus 20:4 “Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.”
Rushmore’s faces are a fable and an abomination, as no carving transpired ― it constitutes forbidden Esaurian idolatry, which only cretins would tolerate with the reality known.
Humans “found” much of what they take credit for, and later generations forged myths about its origination ― as Scripture declares, they’re willfully ignorant of the world that existed before this one started (2Pe 3:5-6). People, in many cases, are reluctant to acknowledge the unflattering truth.
Like Vijaya Stambha, the temples at Baalbek had complicated carvings:
Baalbek is home to the “Trilithon,” three monumental Jurassic limestone blocks. Academics debate how the “Romans” accomplished such stunts as cutting the rectangular or parallelepiped stones, which weigh in excess of 1600 tons, and transporting them to the temple sites. Antediluvians quarried the stones and erected the structures at Baalbek, AKA Heliopolis ― not the post-diluvian inheritors of architecture “thou buildest not.” The flooding covered one megalith almost entirely in dirt:
As a clue to the true engineers, the Temple of Bacchus includes a carving of a celestial angel:
The Taj Mahal, recognized as one of the world’s “seven wonders,” also located in India, is an ivory-white marble mausoleum built between 1631 and 1643 AD — an agreed-upon untruth; its accurate age is much older. Sturdy marble edifices will stand for eternity, barring unforeseen events such as catastrophic earthquakes or acts of vandalism.
As usual, the entrances and hallways can welcome massive entities like giantkind.
Except AI cannot fathom how to create this ― it likely precedes the ubiquitous flood when civilizations more advanced than the current crop of mortals prospered, with different bodily proportions and even celestial bodies and knowledge.
Jude 1:6 “And the angels which kept not their first estate, but left their own habitation, he hath reserved in everlasting chains under darkness unto the judgment of the great day.”
Indeed, Greeks constructed little of what “history” asserts, nor did the Indians assemble the fantastic structures in India; Americans also never produced the remarkable edifices they inherited, many of which no longer exist due to vandalism. Nevertheless, the children of Jacob have more accomplishments than all others ― above the rest in most fields when blessed.
Exodus 19:5 “Now therefore, if ye will obey my voice indeed, and keep my covenant, then ye shall be a peculiar treasure unto me above all people: for all the earth is mine.”
Deuteronomy 7:6 “For thou art an holy people unto the Lord thy God: the Lord thy God hath chosen thee to be a special people unto himself, above all people that are upon the face of the earth.”
“The Alexander Nevsky Cathedral in Moscow was the largest of a series of cathedrals erected in Imperial Russia … It was conceived by Alexander Pomerantsev and Viktor Vasnetsov as a 70-metre-tall memorial .. The foundation stone of the votive church was laid on Miusskaya Square (an industrial area in the northwest of Moscow) in 1911 … in the presence of Grand Duchess Elizabeth Feodorovna. Construction did not start in earnest until 1913, and the First World War impeded further progress … After the Russian Revolution, the huge 17-domed church capable of accommodating more than 4,000 persons stood unfinished, while the Soviets debated whether to have it reconstructed into a crematory or a radio centre … It was the largest church in Moscow after the Cathedral of Christ the Saviour. The dilapidated concrete shell was eventually torn down in 1952.”[10]
Modern-day men would resemble toddlers entering the pictured entry, as is familiar with splendid cathedrals, which many assume initially functioned as power stations before religious groups repurposed them and later affixed their dates. Serious “construction” on this would-be Orthodox “repurposing” didn’t commence until 1913, and WWI (1914-1918) halted progress. Essentially, this shell of a masterwork emerged in approximately one year, then advancement ceased, and by 1952, the Russians pulverized it. This photograph dates to 1921 ― the masonry is considerably older than seven years, exposing this narrative as another deceit; humans found this unfinished edifice abandoned by the initial builders due to age-ending overflows. The onion dome of this building is comparable to that of the Taj Mahal, complete with a forked crowning ornament:
Legitimate “churches” wouldn’t fabricate hoaxes about “constructions” and “ownership” for “founded” and repurposed cathedrals, nor would their clergymen wear long robes and chant long-winded prayers (Luk 20:46-47). Beyond garments and showmanship, these expropriated grandiose edifices lend certain religious businesses a semblance of authenticity and authority; unfortunately, the typical sheeple buys into this charade. Not all such religionists have a destiny with ruination, as Revelation warns to “come out of her” (Rev 18:4) ― escape the Babylonian mystery religions.
Arita Porcelain Park, in Japan, opened in 1979 and hosts a “replica” of Germany’s Zwinger Palace:
Focus on the patina deposits in these images from Arita Porcelain Park; some, if not all, of the structures show signs of great age. Some examples appear more patina-laden than the supposed 2000-year-old “Roman” Temple of Bacchus. Germans didn’t visit Japan to construct these for the Japanese, nor did they build the Zwinger Palace ― both palaces are from the world that perished. Japan, now an island country, separated from Pangea in the early post-diluvian era.
The Portuguese were the first Europeans to contact the Japanese in 1543; however, in the early 1600s, Japan implemented an isolation policy, isolating itself from outsiders and restricting trade for centuries. In the mid-1800s, Japan reopened to the West, and diplomatic relations between Germany and Japan began in 1861, establishing a timeframe from 1861 to 1979 for the Germans to prepare their supplies and engineers and sail to Japan to reproduce what they had never created in Dresden, all in service of a foreign nation, unless one believes the Japs created an identical replica of this German palace.
Another example of such architecture in Japan from the early 1900s:
“The former headquarters of the Yokohama Specie Bank, built in 1904 and designed by Tsumaki Yorinaka in a German neo-Baroque style, became the home of the Kanagawa Prefectural Museum of History in 1967.”[12]
This alleged Japanese architect, known for his “German” neo-Baroque architecture, had an English protege named Josiah Condor from Brixton, London. An Amalekite from England taught this Jap the techniques of “Western” architecture, who subsequently designed this bank turned museum, which fellow Japanese “constructed” within one year in 1904.
No doubt these cart-pulling Asians built such shacks around Yokohama on these dirt pathways in the early 1900s, although the bank is doubtful, which allegedly originated from Yorinaka with the assistance of Edomite instructors and Japanese crafters. Corporations won’t explain to the public that their headquarters have unknown builders but fabricate some history behind the “construction” and place names on the design work. It works the same in other countries; in America, secret societies slapped the name of an English Esauite, H.H. Richardson, behind tons of pre-built Romanesque architecture with bogus build dates.
Elijah E. Myers is another English or Jewish phantom architect whom the government credited with designing various properties, including the state capitol buildings of Michigan, Colorado, and Texas — three edifices far beyond the capabilities of this cretin — and some schools:
Today’s educators don’t build high schools like this anymore, although they never created them this way but “founded” them like that — the same goes for most universities throughout the USA.
This “temple” is a refurbishment of a structure presented at the 1897 World’s Fair in Nashville, Tennessee, featuring an exact-size and elaborate replica of the Parthenon in Athens, Greece. This “replica” is another occurrence of what stands inside Arita Porcelain Park; the structure stood for ages, and some hillbillies showcased it in a “cool” but less spectacular event ― the Tennessee Centennial and International Exposition. Some patina accumulated on the upper columns after a century, although not much.
“NASHVILLE, Tenn. (WKRN) — Nashville’s Parthenon was never meant to be a permanent structure. So, why is it here? The Tennessee State Library and Archives has several materials documenting the historical landmark located in Centennial Park. When it was first built, it was made of temporary material, like the other dozens of structures that were built for the Tennessee Centennial and International Exposition in 1897 … The majority of the other buildings at the expo were moved or destroyed. Only the Parthenon remained … The original Parthenon was built in 447 BC as a temple dedicated to the goddess Athena in Athens, Greece. Nashville was already known as ‘Athens of the South’ because of its focus on higher education. So, many did not want to see the building torn down. However, the material was deteriorating. In 1920, the city made the decision to tear it down and rebuild it from lasting materials. It reopened as a museum for the public in 1931.”[4]
The only “temporary” materials were low-cost ones during a non-permanent and hasty renovation in the late 1890s ― the city later procured funds to modify and properly refurbish this Parthenon. Public tax-payer-funded buildings demand rigorous documentation of the developmental process from start to finish. Deconstruction and reconstruction photos of the “old” and “new” Parthenons should be available, yet such photographs are scarce, with many contradictions, including an almost completed “new” Parthenon. The Greeks never built the “original” Parthenon in Greece in 447 BC, and neither did the Americans construct this one ― they performed a flimsy paint job with some minor patching in 1897 to make it look newer and remodeled it with permanent substances in the 1920s or 30s.
Observe the patina on the foundation of this whitewashed “temple” in 1897.
Note the patina infesting the “newly” developing Parthenon and what appears like the framework for a pillar ― upon closer inspection, an obvious column exists under that. The non-permanent repairs or whitewashing from three decades prior faded, revealing the time-worn stonework; the impermanent plaster/paint ― or whatever ― deteriorated in the encircled zones.
Those pillars are from the old Tennessee Parthenon, made from wood and “staff” (not) and covered with what appears to be iron rods, which these jokers then coated in cement ― the original pillars lurk underneath the “new” ones.
Their idea of tearing it down and rebuilding it with durable materials was to apply a concrete coating over the “temporary” temple.
With the methods that retouchers had in the 1930s to doctor photographs, what, if anything, they altered in these “construction” (refurbishing) photos is uncertain.
One aspect that changed from the original was the decor in the triangle, featuring Grecian-style artwork: a spear-wielding warrior and a cart with a wheel.
The triangular and segmental pediments on this German “free masonry” are strong ― Satan could have easily hosted fairgrounds around the area, called it “temporary,” and then demolished the masonwork, but instead bombed it in their planned war.
These horse and buggy people didn’t engineer such buildings but repurposed and built around these discoveries. The black-and-white photograph makes spotting the patina harder; nevertheless, the columns exhibit it, proving this wasn’t a recent construction. The photo has a vanilla sky, meaning the skyline underwent retouching to hide elements the editors wished to conceal, like a building or an airship.
Another one that “thou buildest not.” Clowns claiming the Jacobites or their Esaurian “brothers” assembled such structures possess a lying tongue and deny Scripture; they inherited them and constitute blessings from the Creator ― another reason the Devil loves knocking them down or “founding” and selling them to suckers. One tactic these rascals employ is holding on to “free-masoned” properties long enough until a buyer forks over money for what belongs to God and Israel. For the Romanesque fairgrounds, swindlers needed only to sell an idea and appropriate funding to “build” what already stood, with generous donations from each state.
Concerning the “mastermind” of the 1904 World’s Fair:
An article in the St. Louis Republic recounted his efforts:
“It is a task equal to the pyramids, this building of a World’s Fair, that Mr. Taylor is doing with no trumpeting, yet with nevertheless herculean labor … He combines the fancy of an architect, the acumen of a businessman, and the force and strategy of a general.” [How flattering.]
A Challenging Project
The World’s Fair project was not without its challenges – chief among them was funding. St. Louis leaders made no secret of the fact that they wanted their fair to be significantly larger than the Chicago Exposition held a decade earlier – and that required a substantial amount of money.
The site for the fair, Forest Park, also proved to be a challenge. More than half of the park truly was a forest, and a large section of the property was a swamp [then pick another location, duh, unless most of the fairground buildings already stood in this swampy forest]. Overseeing more than 7,000 workers, Taylor cleared areas for exhibit halls and other structures, drained the swampy terrain, changed the course of a river, built roads and an intramural train system, erected the buildings, landscaped the grounds, and filled the site with fountains and lagoons [bullsh*t].
Taylor’s goal was to create the most beautiful city – in the Beaux Arts style – the world had ever seen. By all accounts, he succeeded. He was praised not only for his imagination but also for his practicality and ability to enforce the fair official’s $15 million dollar [$566 million today] budget and keep the project moving forward. When complete, the 1,200 acre exposition site included more than 1,500 structures, many of them designed by Taylor himself [more bullsh*t].
What Remains Today
Most of the buildings designed specifically for the fair were temporary structures [even more bullsh*t] and no longer stand today – with one notable exception [incorrect]. The St. Louis Palace of Fine Arts, designed by architect Cass Gilbert [English surname], reopened as the St. Louis Art Museum a few years after the fair closed.
The “flight cage” aviary at the St. Louis Zoo and the concrete fence running along Forest Park Boulevard are the only other remaining structures built for the fair [they conveniently left out Brookings Hall]. The flight cage was the Smithsonian Institution’s [Satan’s Institution] exhibit and the largest aviary ever built at the time. It remains one of the largest free-flight cages in the world today.
…
A Lasting Legacy
Although most of the fair’s original buildings are gone, the Louisiana Purchase Exposition helped establish Forest Park as the heart of St. Louis. It also focused worldwide attention on the city and led to the construction of new hotels, office buildings and homes – a building boom that continued until World War I [they “founded” most of them].
Following the exposition, Taylor returned to his architecture firm. During a career that spanned nearly 50 years, he completed more than 215 projects. His post-fair projects included the Jefferson Memorial Building [more “founded” architecture in 1897, in honor of an Edomite, as usual, with an idolatrous statue inside] built at the entrance to Forest Park on the site of the main entrance to the fair. The building was constructed with profits from the exposition [nope, the construction was “free masonry”] and now houses the Missouri History Museum, which features an ongoing exhibit dedicated to the 1904 World’s Fair.[5]
The reported cost of the 1904 exposition was a mere 15 million ― or 565 million in today’s dollars ― which only lasted six months. From the looks of it, these fiends accepted megamillions to allegedly deforest Forest Park, drain swamps, paint buildings, and prop up a fair around an ancient city ― what rested within the unpathed segments of the forest, which could take 1,000 years to mature, were these old stately buildings in a flooded swampland. The entire story is suspect, as mature trees blessed the outside of many palaces in perfect rows, and these fairgrounds hosted St. Louis expos since the 1850s. Either way, it was a pre-built city for Jacob to inherit, from which Esau “free-masoned” away and made fortunes.
Plenty of epic Old World structures beautified Forest Park ― they expanded on what was there, hosting an expo with this “free masonry” as the major attraction. Aerial illustrations of the 1904 Louisiana exposition portray the city they “founded” and later obliterated, with few exceptions: the non-cheaply erections made from enduring materials, or so the subterfuge goes. Only lunatics spend half a billion dollars on momentary buildings and blow them up six months later ― robbers obtained funding to “build” what amounted to zilch as part of a monumental scam, and these saboteurs gutted their “repurposements” before and after the events.
“Taylor was born in Nashville, Tennessee, on the last day of 1850 and moved with his parents and older brother to St. Louis a year later. At St. Louis University, he earned a degree in classical languages with honors in 1868. After graduation, he joined the firm of George I. Barnett, a native of Nottingham, England, who became St. Louis’ best-known architect during the mid-nineteenth century and who trained several generations of local designers. Taylor, who rose to serve as Barnett’s junior partner from 1876 to 1881, worked on several of the firm’s prominent commercial projects in St. Louis ….”
Isaac S. Taylor, the “architect” chosen to plan and oversee “construction” for the 1904 Louisiana Purchase Exposition, had a mentor named George I. Barnett, an English Amalekite and Devil incarnate ― these architectural bandits attached their names to creations they “founded” as part of their “free masonry” scheme.
The Egyptian pyramids are Old World, meaning humans, as recognized today, never constructed them ― neither did these charlatans build the super-sized palaces in these Romanesque fairs. Out of the supposed 1,500 structures for the 1904 expo, Taylor (English surname) designed “many,” yet not a damn one on the aerial view, if any at all. Supposedly, foreign countries provided entries to install around this pre-existing city, which could be factual to some extent with the smaller ones — it was a “world” exposition.
These Romanesque-themed expos consisted of scams hosted around “free” architecture. The actual “construction” cost was $0 for many fairground buildings — scammers appropriated and vandalized property, amassing billions for some paint “work.” In many instances, any particular state had a pre-built building near the fair assigned to it, which taxpayers financed to “construct” — quite the scam.
Notice the discoloration on the “staff” (stonemasonry) inside the orange circle — these blokes were painting over that to make the weathered “free masonry” look modern; the “New York Building” stood for a long time.
“While the buildings were in process of construction one could almost realize the colossal proportions of this enterprise. Entering the grounds in the spring of 1892, the visitor beheld such a scene of bustling activity as that which at the founding of Carthage greeted the father of the Roman race when first he set foot on Punic shores. And yet it was a silent activity that pervaded this group of mammoth structures, whose pillars and walls and domes were rising around him. Here was an army of mechanics, with hammer and saw and mallet, all plying their tools with the vigor of a true American workman; but amid the wide spaces that separated these huge architectural efforts the noise was barely perceptible. Then there was an air of unreality about this congregation of edifices, so strange in dimensions and design, rising as from the touch of a fairy’s wand at the bidding of some potent agency.”[6]
The following images are illustrations, not photos, of what the Court of Honor allegedly looked like in June 1892, with the developmental process for the Agriculture Building on the right:
This second image, dated July 16, 1892, a month or less away, shows significant progress, with the Agriculture Building completed — very “brisk” indeed:
The scaffolding was for painting the edifice and perhaps applying exterior stucco decorations, which, considering its size, could be possible in a month, but the structure was already there. The scumbags wouldn’t be capable of creating the lagoon in 12 months — subtracting six months to account for two winters — with the limited tools available, let alone constructing the impossible, even with a fairy’s wand.
Good ole lads doing some painting — the orange markers reveal the true nature of the surface beneath the whitewash. Gotta spruce these bad boys up; otherwise, the dumbass public might notice the age-old character of the masonry.
The sons of Esau didn’t need to bother finding buyers for their abandoned discoveries when American dupes could pay for them in “temporary” fairgrounds. For the edifices that appear hollow, the probability is that the devils gutted the interiors to display fair props, many of which may have already existed on site, such as with the South Dakota building’s fossils of “antediluvian animals of mammoth proportion”:
“SOUTH DAKOTA BUILDING … There are 11,000 feet of floor space in the State Building of South Dakota. The building is in the Romanesque style; the exterior is gray, and it has a beautiful pillared entrance. Polished sandstone and jasper are arranged in semicircular forms over the main portal. The pillars are of very highly polished stone [not wood and plaster?] and give a beautiful effect to the building … There are also a great variety of fossils in this building, many of them of antediluvian animals of mammoth proportion.”[9]
Realize that the preponderance of all images supplied for these events are illustrations or heavily doctored, making any suggested internal prints of any given building suspect — the “photography” for the expos comprises a dishonest compilation, specifically with the “construction.”
“The retreating arcade, with its dainty marble columns and uniquely designed roof ….”[7]
The Moorish Arcade, situated in the largest building in the world, dubbed the Manufactures and Liberal Arts Building, which magical genies constructed in 18 months for a six-month event, costing $1,700,000 or 58 million USD in 2024, and boasted 11 acres of toughened glass trimming on the roofing — all “temporary.” They sidestepped the “wood and staff” fable with these aged marble columns.
The Moorish Arcade architecture appeared in an “Old World” facility in Spain; thus, the organizers attributed this section of the building to the Spanish, although neither had anything related to the Spaniards — the designs and marble columns came from the time of Pangaea when one civilization constructed the stellar “free masonry” inherited throughout the world.
“The Columbian Exposition’s gross outlays amounted to $28,340,700, of which $18,678,000 was spent on grounds and buildings. There were some 21.5 million paid admissions to the exposition ….”[8]
Malefactors secured $636,600,198 to “construct” the 1893 fairgrounds that “thou buildest not” (Due 6:10), looted pricey building materials, and swindled an extra $366,391,055 in ticket sales from the Israelites who paid to witness the glorious spectacle that stood long before the exposition and was their property, unbeknownst to them. The expo was a multi-billion-dollar heist by Esau and company — the exact amount remains undisclosed, as the quantity of marble “free masonry” and other loot inside the buildings is impossible to know, including reverse-engineered technology in edifices like the Palace of Mechanic Arts:
At a minimum, 16 strata of ancient brickwork lurked beneath the floor inside this “momentary” structure, which only took 18 months or thereabouts to construct and cost a measly $1,200,000 in 1893, or approximately 41 million USD — various machinery seen here was a possible bonus included with the free palace.
Lots of “temporary” bricks adorn the worn flooring and machines:
“WOMAN’S BUILDING … Fourteen women architects, none of them over twenty-five years of age, submitted designs for the structure. That of Miss Sophia G. Hayden of Boston was accepted … One of the principal features of the exhibit is found in the library, in which books written by women of all ages are displayed. They make a goodly show and speak well for the literary activity of the gentle sex. Many of the European Royalties are contributors.”[9]
Sure, for what fraudsters converted into the “Woman’s Building,” women architects younger than 25 submitted designs — the fair organizers selected one lucky lady’s submission, and benevolent European “Royal” Edomites contributed many books to the impermanent library she never designed.
The reported expense of this building was only $138,000 or 4.7 million out of $200,000 “appropriated.” The “builders” of this “free masonry” did quite an ornate job, which, according to some authorities, would “undoubtedly” stand as a permanent memorial to the grand feats of women:
These incompetent rogues can’t maintain a consistent storyline, as the building’s longevity failed; the hard “work” of the female designers and their manual labor didn’t pay off — dynamiters blew up this pre-assembled pavilion.
The Jacobites are “above all people” upon the Earth, implying inferior humans constructed their wondrous cities, which Israel neither could nor did build; that makes no sense unless the builders who designed their elegant metropolises weren’t on ― or no longer inhabited ― the Earth, such as giants or celestials.
The mystery surrounds who or what propped up the cities Israel inherited following their eviction from Jerusalem and nearby areas ― it wasn’t contemporary humanity. Israel won’t reclaim the architecture their adversaries toppled because the Israelites never built it; they can only hope for something greater than what Esau destroyed (Rev 21:2). Observing the Old World buildings in America inherited by Israel but stolen or ruined by Edom is disturbing; Edomites are among those “which destroy the earth” (Rev 11:18).
The Chicago Federal Building, “founded” in 1905 but constructed in a bygone era and demolished in 1965, featured a dome style identical to that of the Administration Building in the Chicagoan Exposition of 1893.
Whatever rubbish stands in its place is forfeit, as the previous installation belonged to the “thou buildest not“ class of buildings, which the goons had no liberty to destroy. Don’t believe for a moment the tales that governmental grifters placed before the public, stating it was awful and falling apart ― the interior, as shown in several photographs, was outstanding, and refurbishment would suffice to address these ungrateful whiners’ complaints. They desired to downgrade inherited “American” architecture, pilfer expensive construction materials, spend taxpayers’ money erecting a replacement, and pocket most of that.
As with the Administration Building showcased in 1893, the “construction” photo for the Chicago Federal Building is so laughable even a blockhead can notice its falsified nature; the framework for the dome is a sketch portraying daredevils without safety harnesses, with two playing a deadly game of ballerina at the very tip. Why they bothered to produce such frivolous fakes is the question, for it makes all government construction “photos” of the era suspect ― money is at the root, no doubt.
Henry Ives Cobb “designed” the Chicago Federal Building, an English Amalekite property thief whom TPTB credited for pre-existing architecture. When the other confirmed Amalekitish faker, H.H. Richardson, died, they also credited Cobb for some “Richardsonian Romanesque” castles. One of Cobb’s first “works” was a renovation project on a pre-assembled “Early Romanesque” castle, the Palmer Mansion:
This “official” illustration misrepresents the interior of the Government Building, a once-beautified edifice; the details of what miscreants stole ― such as truckloads of marble ― from the insides of these repurposed structures before showcasing them in their expositions remain unknown.
The style of architecture depicted in the ungutted section of the 1893 Government Building is a near-perfect match with the marble interior of the Chicago Federal Building; the same civilization crafted both edifices, which weren’t the horse-and-buggy-riding primates who “found” such masonry and pilfered the expensive building materials or claimed ownership of these discoveries, and either held on to them or found ignorant buyers.
James H. Windrim was the “architect” responsible for the Government Building in 1893, which showcased a marble and ornate rotunda “thou buildest not.” Secret organizations slapped his name on various U.S. governmental buildings and some pre-assembled Masonic temples, including the Grand Lodge of Pennsylvania:
A plot by the Powers That Shouldn’t Be to destroy the Old World architecture they couldn’t steal and repurpose without raising too many questions about its true builders commenced in the 1850s and progressed from that date — the vandals don’t want the public to know a world existed before this one, and that this plane came furnished, at least in areas the Lord scattered the Israelites to possess old cities (Deu 6:10). Additionally, these criminals don’t want people to realize humanity dwells on a plane, but instead a floating ball in “outer space” created by an accidental “Big Bang.” The best option for them is to come clean on these deceptions and apologize for the criminality (Isa 60:14; Rev 3:9).
The government is a corporation run by the enemies of God and mankind, and their self-serving employees often squat in buildings “thou buildest not” without occupancy rights; ditto with the churches, especially Catholic and Orthodox ones. Proof such outfits have no biblical right to these structures comes from their bogus “construction” photos, silly narratives behind the timeframes, and the fact they don’t serve the Israelites but steal from them and destroy their property ― Esau-Edom will plunder and ravage Jacob-Israel’s inheritance until nothing’s left.
Obadiah 1:5 “If thieves came to thee … would they not have stolen till they had enough?”
US “presidents” are selectidents of the Esaurian bloodline ― an honest answer from this outfit of fakers and stealers is rare. Lying, stealing, spying, destroying, and murdering are what they practice as a religion; governments elsewhere aren’t much better or even worse. Not all governmental personnel are “evil” criminals, yet the inherent character of the beast should make inquisitive folks scrutinize their modus operandi. An intercontinental network of secret club members plots against the Lord and His people Israel ― this is Edom thieving Jacob’s birthright, which Esau owned before he sold it for a bowl of red pottage (Gen 25:30-34). The American “Founding Fathers” were “founders” of great cities that weren’t theirs to possess. The “nesters” squatting among the twelve tribes of Israel (Rev 12:1-5; Oba 1:4) ruled America since the 1800s and sidelined the rightful inheritors while engaging in theft and destructive behavior ― their mindset towards the Jacobites is also genocidal, as Edom wishes no competition:
Ezekiel 35:12 “… I have heard all thy blasphemies which thou hast spoken against the mountains of Israel, saying, They are laid desolate, they are given us to consume.”
Without Esau tagging along, that which belonged to Israel would be intact ― those structures last and stood before the Israelites occupied these beautiful cities, which constituted God’s inheritance to Jacob’s descendants following their seven-times punishment.
Leviticus 26:18-19 “And if ye will not yet for all this hearken unto me, then I will punish you seven times more for your sins. And I will break the pride of your power ….”
Isaiah 42:24 “Who gave Jacob for a spoil, and Israel to the robbers? did not the Lord, he against whom we have sinned? for they would not walk in his ways, neither were they obedient unto his law.”
The materials from these cities cost fortunes, which Edom “free-masoned” away from Israel ― these 10-foot marble columns were for sale at $18,000, and fairgoers appeared like grasshoppers next to these much thicker whoppers:
Buildings crafted from granite or marble, like many of the State Capitol buildings, will persist indefinitely.
A photo of the Sacramento Capitol building circa 1890, taken near its “founding” date, shows the dome appearing weathered and needing the white-washing job done during the 1893 and 1904 World’s Fairs.
Sacramento administrators have refurbished the building since then. Yours truly visited this building twice before, as it stands nearby. Ordinary mortals constructing the Iowa and Minnesota State Capitol buildings — to name a few — isn’t possible, especially with the given dates and storyline; ergo, the one in Sacramento is also suspect. Esau founded most of these babies and improperly dated them, producing scant few “construction” photos aside from some grainy, low-resolution, vanilla-sky fakes.
“Construction” of the Sacramento State Capitol, with a vanilla background and obvious photo doctoring, with smudge marks around the building. The discrepancies are more easily noticeable when viewing the image from a top-down position on an LCD screen.
“Construction” of the Iowa State Capitol, an even bigger joke than the Sacramento falsification. All the deceivers must do is produce a few bad fakes, and the sheeple will remain oblivious that America was not only a literal goldmine, but a metaphorical one with megatons of “free masonry” from a lost world.
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This blabber is a response to the fact that Europeans didn’t construct many of the buildings in the grandiose cities they inherited and comes from Finck’s sad buddy, who desires to genocide “genetic devils” (all non-whites) and murder the exceptional few that comprehend “forbidden” truths such as Flat-Earth, the JFK death fakery, Masonic “outer space” untruths, and that Hitler was a false prophet, which these jackasses practically worship. If these punks ever read the Bible, they’d comprehend water remains overhead, not some never-ending universe with untold quantities of so-called “planets” that “scientists” always discover because their lies are lucrative. These morons aren’t Israelites but Edomite tares among the wheat or badly deceived by Esau and in dire need of reeducation.
Scripture states that the Lord God would give the Israelites old, large, and beautiful/goodly cities, which they never built (Deu 6:10); however, this scoundrel denies the Word of God. He’s the retard with a horrible attitude and demeanor, employing a common technique of associating fundamental truths with frivolity to discredit them altogether. Screw these people — only low-class ruffians want any association with them. As with Finck’s previous associates, this Drawdy drooler tarnishes his reputation; only the imprudent would tolerate “Drawdy’s” presence.
SWPB recommends watching this video explaining how solstices work on the flat Earth and demonstrating how sundials worked in the ancient world to tell time — that’s only possible on a level and stationary plane. All the ancients knew this; nevertheless, these mentally challenged scrubs can’t figure it out, or perhaps they’re bald-faced liars.
Incidentally, the Lord’s promise of gifting the children of Isaac with pre-built and magnificent cities provides evidence of the true Semites’ identity, as places like Old Germany boasted majestic architecture that aroused envy in many, and although the Germans mostly didn’t construct it, God Almighty gifted it to them. Unfortunately, anti-Semites obliterated many of the grand buildings in Germany during their genocidal bombing campaigns.
Anti-Semitism is a plague of these modern times, and that term doesn’t apply to the Jews, who masquerade as Shem’s racially unadulterated descendants, but to pure-blooded White folks.
Multiple theorists, embracing the “Old World” and “not built by us” ideologies, adhere to the doctrine that the millennial reign of “Christ” (Rev 20:6) occurred ― regardless of whether Jesus was physically present ― and the Lord’s kingdom constructed the grandiose edifices around the world. However, SWPB demonstrates that Esauites are the foremost “Satan” in Scripture and have held a throne in England since 1066 AD; moreover, the Roman Catholic Church is “satanic” insomuch that their popes have been Edomites for the longest time, and historically “reigneth over the kings of the earth” (Rev 17:18) ― their religion is a falsehood, like all others. Many in the Black Nobility Crime Syndicate descend from Papal bloodlines.
Was Christ’s “secret” empire before 1066 and the short season of the Devil (Rev 20:3) approximately 1,000 years, or one day according to God’s time (2Pe 3:8)?
During Jesus’ hypothetical reign, it seems odd that “Satan” would be on Earth, having their kingdoms, realistically stretching back thousands of years with the beast kingdoms of Daniel (Dan 7:3-27), including Greece (3rd beast) and present-day Rome (4th), which never died but survived as Papal Rome from the former Pagan Rome.
Was the “devour the whole earth” and “trample and destroy it” directive of the 4th beast (Dan 7:23) that existed millennia ago ― and still does ― interrupted for 1,000 years, and then was “Satan” back to “his” dirty and deceptive tricks again? The Devil has been conducting the wars and financing them for a long time ― a “millennial kingdom” doesn’t seem to fit the timelines.
Another contradiction arises with Revelation (Rev 17:4), which reveals the Roman Catholic Church as the woman bedecked in purple and scarlet colors, holding a golden cup, with great authority for approximately 1,260 years (538 to 1798 AD). Furthermore, this assembly congregates inside a “founded” edifice resembling a serpent, which symbolizes that “old dragon” AKA “Satan” AKA Esau-Edom, which these long-robed chanters of long prayers claim slaves built, and thereby lying about “free-masoned” properties.
Some portray the Jews as the devils bound for a thousand years, yet despite residing in European ghettos for a millennium, non-Jewish Edomites weren’t “bound” anywhere but held positions of power as popes, kings, queens, and princes/counts/barons ― Jews are more like their “lesser brethren” partners in crime and the “fall guys” for these upper elites.
These “Old World” and “Tartarian” types are there to spread a false doctrine and misdirect truth-seekers unless a millennial reign indeed arose between 33 and 1033 AD. Some provide tidbits of information, although so do popular Edomites in the “conspiracy” crowd, like Miles Mathis, who never touches the Identity truth.
Another thing they did was make Tartarians not only the grand builders but also the Israelites, with Solomon as the first Tartarian king — Europeans allegedly stole the Bible from them. These dirtbags are attempting to conceal the identity of the true Israelites, the number one thing Esau wishes to suppress, for their guilt is great, and the judgment against them is severe. Unless Deuteronomy is a falsehood, these fictional “Tartarian” supermasons couldn’t be Israel; it states the sons of Jacob would inherit great and goodly cities not built by them (Deu 6:10). One way to identify genuine “truthers” is if they teach the Identity message of who the Israelites and Edomites are — the frauds will never touch upon this subject unless to infiltrate and subvert it.
Spook agencies and secret societies have mass shills financed to spread a narrative and sidestep reality — they obtain the fan clubs, spotlight, wealth, and recognition, as such perks are for the Esaurian bloodline, Edomic clubster gangs, and those who speak not the truth in a subverted society. Most characters in “history” would remain unknown or unrecognized without powerful agencies granting their fame.
“History” is a distortion and the world a stage, with a collective entity that “deceiveth the whole world” (12:9) — also mentioned as “the devil that deceived them” (Rev 20:10) — running the show.
These investigative videos document the extensive photograph manipulations for the 1893 World’s Fair, including contrived construction photos:
Columbian Exposition of 1893 | Multiple Mediums | Part I (43:45)
Columbian Exposition of 1893 | Photo vs Illustration | Part 2 (50:18)
Columbian Exposition of 1893 | Subways of Infrastructure | Part 3 (45:43)
Columbian Exposition of 1893 | Staff or Stone? | Part 4 (2:07:48)
Columbian Exposition of 1893 | Beautification & Landscaping | Part 5 (1:34:00)
Columbian Exposition of 1893 | The Art of Historical Manipulation (46:07)
The series is rather lengthy, totaling over six hours.
Scoundrels hosted this fairground around an abandoned city of another world. They looted/gutted the building innards, falsified the construction process, spent millions on refurbishments, paint, and fairground additions, and pocketed the rest. Ticket sales and plunder from the city were bonuses outweighing the mega-millions allocated to build what mostly already existed.
Even one phony “construction” photo makes all unreliable — only conmen would fake anything.
Catholics found and repurposed St. Peter’s Basilica, a structure that resembles a viper — the names associated with its design are those of phantom architects.
Similar buildings stand at several other locations, such as the Pennsylvania State Capitol, an Old World masterpiece:
The concept of “truth for authority” cannot apply to this edifice’s occupants, as they falsely credit Joseph Miller Huston for its innovation, with a ridiculous four-year “build” date — the same applies to the basilica at the Vatican, as both complexes were “free masonry” that the world usurpers credited to Edomic club members. The storyline for St. Peter’s Basilica provides a build time of 120 years; however, for “founded” American variants, the timeframes are expeditious to fit bogus historical narratives. Nowhere does the truth abound in this society, not in the government, nor the churches, nor has it ever, for the Devil that deceived the whole world ran amuck playing tricks and spreading falsehoods, one of which was the fable that they built the pre-existing architecture that came with the post-diluvian earth. These charlatans warrant eviction from such edifices for telling lies and participating in the deceptions — they had their chance to cease the lying, but for Satan to “come clean” and admit anything is unlikely.
The four-year build time alone proves that both “St. Peter’s” Basilica and the Pennsylvania State Capitol were pre-built, with unaccounted-for builders ― both structures are comparable in grandeur, featuring similar or identical architecture, yet one took four years to construct while the other required 120. The dating and names attributed to their designs provide false information.
This Pennsylvania government official almost disclosed that they couldn’t replicate the PA Capitol building today, even with unlimited funding. Remarkably, 120 years ago, the Esaurians accomplished it within four years, using inferior technology and at a cost of only about $450 million — except that never happened. The money constituted more ill-gotten gains obtained from pretended “construction.” William Penn, an English Edomite, was the founder of Pennsylvania.
The exterior is granite with a marble interior, similar to that of the Minneapolis Municipal Building. These fellows must either renounce their construction dates and acknowledge the truth or face damnation for a lying tongue:
Those who received $466 million to “construct” what already existed, along with the additional funds for all the other “founded” State Capitol buildings, as well as billions from the World’s Fairs, are death-seekers:
Undoubtedly, some of that funding decorated and furnished the repurposed State Capitols ― the amount pocketed by scoundrels is the question. Honesty is a virtue lacking in this society ― the adversary runs the show, and the sons of wickedness have little use for truth, as it diminishes their power, dispels their deceptions, and makes the world a better place instead of a hellhole loaded with untruths.
The spectacles from the 1893 World’s Fair outmatched those in Rome, with no possibility of crediting them to European colonizers on such short timelines; hence, the controllers had to destroy them to maintain misleading narratives, especially those of the “was built” variety, which would become “was found,” and thus was “free masonry,” with enough folks paying attention. For whatever reasons, the Devil allowed complexes like the PA State Capitol to remain, with a construction timeframe so absurd that only dunces would believe it.
When Satan reigns over the world, deception inevitably follows, although their operations are sloppy, leading to opportunities to expose their lies. Sadly, many individuals remain ensnared by the falsities the “Church” indoctrinated them with, including misconceptions about the identity of “the adversary” (known as “Satan” in Hebrew). The adversary comprises Esau-Edom and other villains, including those that “savourest not the things that be of God, but the things that be of men” (Mar 8:33; Mat 16:23). The “son of perdition” and “man of sin” collectively refer to Amalek (2Thes 2:2-3; 1Sam 15:18; Num 24:20; Oba 1:18); however, many Bible-believers attempt to interpret the Scriptures in a futuristic manner, focusing on specific “end-time” prophecies rather than recognizing the long history of deception perpetuated by those damned to perdition. Perhaps one day, the accurate interpretations provided by SWPB will gain acceptance, yet that cannot happen as long as deceitful priests, pastors, false prophets, and others continue to mislead the faithful. True “men of God” don’t engage in falsehoods but instead strive to uncover them and repent for allowing such deceit to thrive.
The Amalekites (Edomites) were also the chief adversaries of Israel and God in the Old Testament:
These same enemies war against the Lord and His people in the New Testament:
When Edom stumbled upon a capitol building ripe for repurposing, they struck gold by duping their Israelite slaves into paying mega-millions to “construct” these complexes while retaining their findings to serve as corporate headquarters.
These envious “brethren” made their nest among the twelve tribes/stars of Israel (Rev 12:1-5; Oba 1:4), possessed their countries ― including the pre-built goodliness ― and weren’t gentle with the inherited architecture, desolating it with abandon.
The New York State Capitol is one of the few state capitols without a superb dome, yet it holds the distinction of being the most expensive, costing $25 million, which would equate to approximately $928 million in today’s currency. This figure underscores the remarkable success of the swindlers who exploited this free building, extracting every penny before completing the “construction” (renovation) and opening it to the public. The exterior of the Capitol consists primarily of white granite, while the interior boasts pink, gray, and white marble.
The leading architect attributed to the Capitol’s design is H.H. Richardson, a proven fraud with an English surname most commonly found in North East England; the initial “architect,” Thomas Fuller, was another Englishman. These are just Edomite fraudsters whom the controllers credited for edifices that “thou buildest not” (Deu 6:10).
When the thieves slap names, build dates, and taxpayer resources behind something, it becomes easier for them to possess what isn’t theirs and hold onto it.